“The Next Three Days”is a stylish thriller now in theatres. Lara Brennan (Elizabeth Banks) and her husband John (Russell Crowe) are a happily married couple with a three year old son. Their world is shattered when Lara is arrested. Wrongfully accused of murdering her boss and unable to disprove the charges, she is imprisoned for twenty years. Three years later John has exhausted all avenues of appeal and Lara despondent over this news attempts suicide. John decides to take the law into his own hands, spring Lara from jail and flee the country with his wife and son. He has no idea how he can pull this off and starts by visiting a multiple escapist (Liam Neeson) who he has read about. His need for false passports and ID, and for a large amount of cash, lead him into some unfamiliar underworld dealings. The movie has Russell Crowe in most scenes and he does a decent job but the plot-line is pretty farfetched and certainly requires some suspension of belief. Be warned, it is bloody and violent at times.
The movie is a remake of a “Pour Elle” (2008) , a French movie released (subtitled) in North America as “Anything For Her”. I have seen the original and I quite enjoyed it. I didn't think that it needed to be redone; however I know people who tell me 'I don't watch movies with subtitles'. This attitude has created a void that Hollywood, sometimes desperate for new ideas, is happy to fill. Paul Haggis wrote the screenplay and directed the film. He stayed true in large part to the original but added a few twists and turns which mainly add more tension and unneeded melodrama. ”The Next Three Days” is not a bad movie;just not exceptional.
Some Hollywood remakes have been successful, and some disastrous. Several very good Japanese and Korean horror movies have suffered badly when transplanted into an American screenplay. Other interpretations have fared better. Michael Haneke made “Funny Games” in Austria in 1997. The movie has two psychopathic young men taking a family hostage at their summer cottage, imprisoning them and torturing them violently. The movie is a statement about the portrayal of violence in the media. It is very unsettling and difficult to watch at times, but it was very well made. In 2007 Haneke remade “Funny Games” in America in English with Naomi Watts and Tim Roth. His remake was basically frame-by-frame true to the original and was well crafted. Nonetheless it was not an improvement and I prefer the original.
Similarly, Ole Bornedal made a movie “Nightwatch” (Nattevagten) in 1994 in Denmark and remade it in America in 1997.The movie is about a law student who takes a job as a nightwatchman in a morgue to finance his studies. The bodies of the victims of a serial killer of prostitutes begin arriving in the morgue and horror and suspicions ensue. The remake features Ewan Mcgregor and Nick Nolte and as good as the remake is, it is not near as good as the first pressing.
“Let The Right One In” (2008) is a Swedish film about a lonely bullied twelve year old boy who befriends a strange girl who moves into his neighbourhood. She helps him find revenge and he falls in love with her, later discovering why she is so different;she is a vampire. More a coming-of-age story than just another vampire tale, this movie was the hit of the Vancouver Film Festival two years ago and subsequently enjoyed a good run in regular theatrical distribution. This year it was remade in English in the USA as “Let Me In”. Although I have not seen it yet, I have heard and read very good reports, and look forward to it's imminent DVD release.
“The Girl With The Dragon Tattoo” is the first of a trilogy of films made in Sweden recently based on three books from Stieg Larsson. The story is a mystery crime thriller featuring an investigative reporter, Mikael Blomkvist and Lisbeth Salander, a strange young woman with a large dragon tattoo, who assists him in his research. It is a very good story and keeps you engaged for the full two and a half hours of the movie. It is currently being remade in America. Director David Fincher does very good work (including his recent success with “The Social Network”) and I look forward to seeing what he brings to the screen in his retelling of this fine work.